cross laminated travelling folly
October 16th, 2011http://www.strombro.se/?portfolio=995
http://agnieszkasawosko.com/all/strombro/120_WS_Valv.html
new update on the pavilion we made in Sweden…
http://www.strombro.se/?portfolio=995
http://agnieszkasawosko.com/all/strombro/120_WS_Valv.html
new update on the pavilion we made in Sweden…
With the possibility that current development will alter the uniquely contradictory character of Soho, DSDHA and the students of Unit 11 have declared a state of emergency. Together they propose a new Urban Constitution for an imagined Free State of Soho.
In 1854 a lethal outbreak of cholera took hold in the centre of London. At the time, Soho housed 432 people per acre- making it at least 10 times denser than today. In revealing a hidden menace through mapping contagion, Soho proved to be the site of a revolution in urban development.
Studio propositions engage with the contemporary notion of ‘Exchange’ within the scale of a city block, and are presented for the first time in the windows of Banana Republic on Soho’s western boundary.
“Architect and student collaboration
For the window of Banana Republic, architect DSDHA and the students of London Metropolitan University have re-imagined Soho with a mix of existing and proposed buildings. Am I the only one who thinks their ideas for a distillery and pleasure garden would be welcome additions to Soho?”
RIBA blog
After a tutorial last week I have discovered the other Victorian way of treating respiratory complaints. Many contraptions were invented to enable medicine to be vaporized and inhaled.
The meditative environment of Inhalatorium provides a soothing respite from daily stress. The basement site illuminated in orange simultaneously references a shelter and spa.
Below:
2004
Sculpture Center,
Long Island City, NY
Along with the pleasure garden as public space, environmentally Light/air and olfactory play a clear role in the design of the proposal.
The pleasure garden and smells produced will corrupt the building concurrently. Temporary structures use by the shunt collective for rehearsal and performance share space with commercial offices. The workhouse becomes the place to be for entertainment and work 24 house a day.
I have just uncovered this precedent by Michael Webb [scarily similar to my own 5th year thesis!] where visitors arrive by car and accommodate office space located in a tower, the building can be entirely driven into and around – at “high speeds” although I am removing most of the car spaces the current ramp will remain in order to produce this processional route for clients up to the tower.
Cedric Price’ extension to the fun palace realised itself in the InterAction Centre demolished in 2003 which incorporated many of the ideas, features and innovations of the fun palace on a smaller scale.
The main attempt by Price was to create an interactive and improvisational architecture mad up of temporary pre-fab elements.
Mies van der Rohe rejected locality, programme and typological individuation these ideas coupled with his invention of the mies grid, reiterative frame and prefabrication enabled architecture to conquer a different type of formalism.
Mies’s work had an essence of formlessness, amorphousness, nothingness, perversion and anxiety behind a stealth shield of serenity
Rem Koolhaas
“The site [Mies van der Rohe] selected [for the German Pavilion in Barcelona] allowed for the transverse passage of visitors from a terrace-like avenue bordering the exhibition palaces to the other attractions. In addition, it afforded fine views of the exposition grounds and of the city of Barcelona. The building had no real program, as that term is understood and used by architects today. It was to be whatever Mies chose to make of it.”
David Spaeth. Mies van der Rohe. p63 cited on greatbuildings.com
“it was an architecture of almost mothing which achieved monumental grandeur by reducing the building to its essential components.”
Bannister Fletcher P 1512
The Lex garage will be stripped back to basics with a few datum changes. The idea of flexible use comes with a flexible essential space.
To understand the era of my Lex garage and add to my references I will tonight be watching vintage film extravaganza – Fritz Lang’s masterpiece METROPOLIS for inspiration….Brilliant film now in bluray :)
AIM: to create a metropolis within a building. An original approach to city workspaces which incorporate the idea of pedestrian nomadisms – how to get lost in the office, but instead of creating a separated dystopia – flipping this to incorporate profit making and marginal use.
The carpark undergoes a complete transformation of solid state materialistic architecture [non flexible] into an energised ever changing building [flexible programme] where different events can occur over time.